One invited curator selects a singlular artwork to constitute the entire exhibition.

Currently a doctoral student in art history at UCLA.

Research interests include Fluxus, event scores, diagrams and diagrammatic structures in art, relational aesthetics, and theories of radical democracy. Her Masters thesis was an interpretive history of the development of a diagram model in the work of Marcel Duchamp, John Cage and Fluxus artist, George Brecht.

Recent projects include an investigation of Jenny Holzer’s recent turn to declassified government documents at the 42nd Annual UCLA Art History Graduate Student Symposium: CO-Collaboration and Collectivity in Art, an elaboration of the photographic “zombie operation” at play in Mike Kelley’s
Day is Done, and DRIP EVENT (For George Brecht) at PawnShop.

Harren has written criticism for Modern Painters and artUS.